elementalsmThis review of “Practical Elemental Magick” by David Rankine and Sorita d’Este recently appeared in “The Equinox – British Journal of Thelema”  – so we thought we would share.  Check out The Equinox here

Practical Elemental Magick
Working the Magick of the Four Elements in the Western Mystery Tradition

By Sorita d’Este and David Rankine

“This is a very impressive book from two prolific and respected occult authors.  The concept of Elemental Spirits is encountered frequently in occultism, but there has been until now no comprehensive guide to working with them.  I say comprehensive advisedly, for one of the great virtues of this book is it traces origins and alternatives very thoroughly, rather than laying down dogmatic rules with no background.  At the same time as offering in-depth information the book also retains considerable clarity.  The range of sources consulted is astonishing, and the work thus provides an invaluable resource for further research by the individual reader.  The material is usefully synthesised into a thoroughly workable practical system of magic; while offering sufficient alternatives for the reader who is so inclined to evolve distinct methodologies based on their own preferences.”

Note* Practical Elemental Magick is a companion volume to “Practical Planetary Magick” by the same authors.  Both these books are available from Amazon (USA / UK etc) and directly from the publishers http://avaloniabooks.co.uk/catalogue/titles/elemental_magick.htm

The following review of the 2008 anthology edited by Sorita d’Este appeared in “The Equinox” (British Journal of Thelema, VII 9) recently:

Priestesses Pythonesses Sibyls

Reviewed by Sophie Zumm, The Equinox: British Journal of Thelema

An exploration of trance work, both historically and practically. Written by twenty-one women involved in magic and neo-paganism; this is an intriguing collection of essays and articles. There are many highpoints, and every reader will have their own favourites; mine include the history of the Delphic Oracle by Caroline Tully, and Janet Farrar’s account of her work with oracular trance techniques. Looking at visionary experience through many different eyes, I was at times reminded of Scarlet Imprint’s collection Devoted. Although a gentler collection, mental and physical challenges are confronted in this book. All in all a fascinating and inspiring insight into the interior world of modern magic through the eyes of experienced and capable female practitioners.

For more information on this very thought provoking and provocative work please see http://www.avaloniabooks.co.uk/catalogue/titles/priestesses.htm – for details of the contributors and an extract from the foreword please visit http://pythoness.avalonia.co.uk


The Magickal Beginnings of the Practices – an introduction to the book Wicca, Magickal Beginnings

By Sorita d’Este and David Rankine

More information available from www.avaloniabooks.co.uk

Over the last few months, many people – some of whom have not yet read our book Wicca Magickal Beginnings have written to us, or asked us in passing why we wrote it. This is a complex question and one which can probably in part at least, be answered by this extract from the introduction we wrote for the book.

All books have a moment of conception, and this book was born out of a discussion on the origins of the Wiccan Tradition as known today, with some of our students in late 2001. Whilst debating the possible starting point of this magickal tradition, we realised that all the evidence being presented was focused on the people who were the early public face of the tradition and their contemporaries. Yet this is a tradition which is also called a ‘Craft’ and which is an experiential tradition where personal experience is paramount for the understanding of the practices and beliefs. So why were we debating the origins of the tradition in terms of who said or did what?

Has Wiccan history tied itself into knots of personalities in an effort to conceal its true origins? Was there something we were missing? Why was it that whilst some people claimed that the tradition was the continuation of a very ancient Pagan religion, others stated that it was created (or compiled) in the 1950’s or 1940’s in England? Why was it that Gerald Gardner was greatly respected as the ‘Father’ of the modern movement and simultaneously viewed as a charlatan? Could it be that in an effort to cover up the ludicrous and unsubstantiated claims that the tradition originated in the Stone Age (or thereabouts) the pendulum has swung too far in the other direction and got stuck? We agree that an academically sound historical foundation will provide more credibility to a tradition and its practitioners, but did that come at a price? What was being sacrificed in order to lend credibility to the tradition? What really made Wicca, Wicca?

Having asked ourselves all these questions again and again over the years, sometimes obtaining different answers to the same questions based on changes in our perspective, we found that ultimately Wicca remained a mystery tradition at its heart. The practices and beliefs could only be fully understood through direct experience thereof and it was through this that the tradition could be best defined, not through the endless debates about lineages, initiations and personalities!

We set about systematically researching the origins of the practices and beliefs which were passed to us through our initiators and colleagues. Our preconceptions were constantly challenged as we explored the origins of the practices and beliefs from different angles in an effort to find possible solutions to the question of when and where the tradition may have originated. We separated the rituals into their component parts, then looked at each individually and even divided them up into smaller parts, before finally putting it all back together creating a colourful mosaic with our findings.

Faced with several possible interpretations based on the evidence we correlated, it became clear that although it remained possible that Gerald Gardner may have created the tradition, it was certainly not that plausible in comparison to some of the other conclusions that we reached. In fact, at this stage of our research we feel that it is most likely that Gardner was not that much of a charlatan after all, but that his accounts of initiation into an existing tradition, upon which he later expanded, were truthful. When stripped right back, without the many additions and evolutions it has undergone since the 1950’s, Gerald Gardner’s ‘Witch Cult’ appears to predate him by at least some years.

We did of course realise from the outset that this would be a controversial conclusion for some readers and as such we present the practice-based evidence in this volume in a way which allows for individual interpretation. We also focused on the component parts which were common to all the traditions, both esoteric and exoteric, that we have personal knowledge of. This means that whilst we touch on the subject of deity, it is important for the reader to understand that theological debate is not within the scope of the work presented here. The individual beliefs in the Goddess and God vary, in some instances significantly so, between traditions in existence today. Additionally, we have not included evidence or debate on the inclusion of many of the folk practices which are found in some Wiccan groups today, such as May pole dancing at Beltane or making Brighid crosses for Imbolc. These practices were well known throughout the nineteenth and early twentieth centuries as the countless books and magazine articles published in those eras attest to. As such their inclusion might be incidental. Moreover, they are not considered relevant by all of the traditions and as such, though of extreme importance to some, are not even considered by others.

The bulk of the material presented in the book is aimed at practitioners, be that of the esoteric (ie. initiatory) or exoteric traditions of Wicca. The book does not aim to cover in detail all aspects of Wiccan history, in fact we have for the most ignored the modern developments. The material presented can be used in a variety of ways, but will benefit those who are seeking to deepen their understanding of the practices the most as knowing more about their original context can of course help deepen the symbolic understanding of their place in our ceremonies today. It is possible that practitioners of other related pagan traditions who draw their inspiration for rituals by incorporating circle casting, the invocation of the elemental guardians at the four cardinal point and drawing down the moon, might also find this book of interest.
For more information, as well as for examples of some of the reviews this book has already received, visit www.avaloniabooks.co.uk

The Guises of The Morrigan
Irish Goddess of Sex & Battle – Her Myths, Powers & Mysteries
David Rankine & Sorita D’Este

Published by Avalonia

Review by Dr Nina Lazarus
From Bestower of Sovereignty to Earth Goddess, Goddess of Sex & Battle to Lady of the Beasts & Faery Queen and through the potent magic and sorcery which she uses to assume a variety of animal forms, the Morrígan is the most powerful of the Celtic Goddesses.

This book brings together for the first time the myths, powers & mysteries of the Morrígan to weave a complex tapestry showing her parallels to many other Goddesses and figures from both British and Gallic folklore, including Morgan Le Fay, the Banshee, Black Annis, Dana, Epona, the Glaistig, Grián, Modron, Nantosuelta and Rhiannon to name but a few.

Her roles in the territorial wars with the Fir Bolgs & the Fomorians, and as tutelary Goddess to the ill-fated Cú Chulainn are explored in detail. Her many guises, including that of Badb, Macha and Nemain, as well as that of the wise crone, the Cailleach, together with her roles in shaping the land, as the Washer at the Ford and as Faery Queen are explored alongside her better known roles as Goddess of Sex & Battle, are brought together in this volume for the first time.

The continued dominion of The Morrígan in mythology, folklore and literature shows the significant status that she held in the ancient Celtic world and continues to enjoy today.

This book will be of interest to anyone with an interest in Irish and British folklore, and of course to Pagans and Witches who work with The Morrigan!

The Guises of The Morrigan
Irish Goddess of Sex & Battle – Her Myths, Powers & Mysteries
David Rankine & Sorita D’Este

Published by Avalonia

Review by Dr Nina Lazarus
From Bestower of Sovereignty to Earth Goddess, Goddess of Sex & Battle to Lady of the Beasts & Faery Queen and through the potent magic and sorcery which she uses to assume a variety of animal forms, the Morrígan is the most powerful of the Celtic Goddesses.

This book brings together for the first time the myths, powers & mysteries of the Morrígan to weave a complex tapestry showing her parallels to many other Goddesses and figures from both British and Gallic folklore, including Morgan Le Fay, the Banshee, Black Annis, Dana, Epona, the Glaistig, Grián, Modron, Nantosuelta and Rhiannon to name but a few.

Her roles in the territorial wars with the Fir Bolgs & the Fomorians, and as tutelary Goddess to the ill-fated Cú Chulainn are explored in detail. Her many guises, including that of Badb, Macha and Nemain, as well as that of the wise crone, the Cailleach, together with her roles in shaping the land, as the Washer at the Ford and as Faery Queen are explored alongside her better known roles as Goddess of Sex & Battle, are brought together in this volume for the first time.

The continued dominion of The Morrígan in mythology, folklore and literature shows the significant status that she held in the ancient Celtic world and continues to enjoy today.

This book will be of interest to anyone with an interest in Irish and British folklore, and of course to Pagans and Witches who work with The Morrigan!

The Interview with Stephen Skinner
by Sorita d’Este
( December 2004 : SS indicates answers by Stephen Skinner, Q indicates question posed by Sorita)


Q: You have been involved in magical groups and circles since the 1960’s. What are the most significant changes you have noticed in that time?

SS: I was lucky enough to enter my first magical group when I reached university at age 16, and fortunately it was a good one with emphasis on the practical. It was demanding though, and I had to give a lecture to the outer group on the Tarot attribution to the Paths of the Tree of Life, without any notes from memory, before they would even consider my application. In those days when there was still a lot of prejudice, groups had to be very careful who they admitted, and so access was not easy.

However with the opening up of magic, there is much greater accessibility to good quality groups and teaching. With the exception of a few of the long running and more hidden lodges, there is however still a degree of instability as smaller groups form and re-form. The important thing is to learn as much as you can from a group, by really working at it, rather than expecting to be spoon fed.

Q: During the 1970’s you co-wrote many books with Francis King, what was it like to work with him?

SS: Francis was a great man, a true scholar, a good friend, and a brilliant raconteur, who had during his life interacted with many of the figures that appear in his books about the later Golden Dawn and Aleister Crowley offshoots, as well as almost all of the most significant figures in modern witchcraft like Gardner, Williamson, Stewart Farrar, Alex Sanders, and Jim Baker.

To write with him was an exercise in amazement. We might talk of Francis Barrett and his magical circle, and Francis would be able to quote exactly from one of FB’s letters, without hesitation. Or we might talk of some of the well know occult figures of the recent past, and Francis would have an anecdote about things they did or said, many of them sadly unprintable.

However Francis sometimes suffered from depression and its concomitant writer’s block. At times like that he would give me a call, sometimes very close to deadlines, to start, take over, or complete a book. I remember for example writing the bulk of Techniques of High Magic in just over a week working from Francis’ notes, from memory, and from a copy of Regardie’s Golden Dawn kindly lent to me by Gerry Beskin of Atlantis.

On other occasions, such as the book on Nostradamus that we co-wrote, there was more time, but I was unable to match Francis’s total grasp of the last 400 years of European history: so while I was familiar with the prophecies, it was Francis who would seed ideas as to where they applied, and I would develop these.

He was great to work with, and I much regret his passing. I dearly wish that he had taken up my suggestion to write his own autobiography, which would have been infinitely amusing and informative. Much of this fount of knowledge is now lost.

Q: With Francis King, you co-wrote the classic work “Techniques of High Magic” which is still widely used today, is there anything that you would change about this book today?

SS: Of course there are many things that I could have included, some of which I have encountered since I wrote the book. I would include more sample invocations. I would however exclude the I Ching section, as it is basically Eastern, and I would remove the Enochian words from the consecration of the Elemental tools, as this is not appropriate for beginners.

Perhaps I would replace the chapter on Goetic evocation with a chapter on the invocation of other, more docile, spiritual creatures like Elementals, and the construction of servitors and artificial Elementals. But otherwise I am still pretty happy that the book, which is now available in a UK edition, is a good introduction to Western magic.

Q: Your books on Geomancy are considered to be the authoritative works on the subject, how important do you feel that geomancy is to western magic?

SS: Geomancy is not the most important system of divination, although at one time it was the second most popular (after astrology). Its fascination is that it is ‘grounded’, being associated with the earth, not the heavens. Also its images are very simple, unlike the Tarot, so they force the practitioner to expand his natural abilities, rather than going off on a symbolic ramble (as is sometime the case with Tarot readings). It is therefore a good divination system for a beginner to start with. I still use it when the need arises. My book Terrestrial Astrology, which was and still is the most comprehensive book on the subject in English, is soon to be re-published as Divinatory Geomancy.

Q: You are also credited for bringing the art of Feng Shui to the West, how did this come about?

SS: My initial interest in feng shui came not from an interest in interior decorating, but from an effort to see if it is related to Western geomancy: it is not. I then discovered that sigils that are used in Western magic (such as the seal and kamea of Saturn) are also used in some of the more esoteric parts of feng shui and in Taoist sorcery. After that I got immersed in feng shui and wrote Living Earth Manual of Feng Shui in 1976, which was the first English book on feng shui in the 20th century.

I went on to produce the magazine Feng Shui for Modern Living worldwide in 41 countries, the biggest selling feng shui magazine in the world, selling more copies initially even than Elle Deco. You might be amused to know that I even launched 34 issues of the magazine in Taiwan printed in traditional Chinese, where the magazine become the biggest selling feng shui magazine in Chinese. I was nominated Publisher of the Year in London in 1999 for this little effort, but I found it more amusing to have exported feng shui back to China, so like ‘exporting coals to Newcastle’.

Q: Do you think that Western magic and Eastern systems of magic have much in common and can they, in your opinion, be worked together seamlessly?

SS: They do have much in common in essence, but the symbols systems are very different and the important ‘registers’ of spirits are also totally different. They cannot be worked together. The Western and Eastern systems are like two Gateways into the same castle. You cannot enter both Gateways at the same time, and if you do manage to enter one Gateway, then you cannot use the roadmap provided for the other Gateway, otherwise you become hopelessly lost…and maybe endangered.

Q: During the 1970’s you were the driving force behind Askin Publishing, producing lovely editions of a number of classic works such as Agrippa’s Fourth Book of Occult Philosophy and Archidoxes of Magic by Paracelsus – all of which are now collector’s items. Which of the books you produced with Askin are you the most proud of and why?

SS: Probably the Agrippa, as two of its six parts are seminal texts for practical Western evocatory magic, and were unavailable before then, except in the very expensive 17th century edition, or in Latin. The book contains one of the most important keys of practical magic. Even when we published it in the old 17th century type, a lot of people found it difficult to read. I am therefore pleased to tell you that I have edited a modern text version of this classic, with annotations that will be coming out early in 2005 from Nicolas-Hayes and Ibis. Already more than 700 copies have been pre-ordered on Amazon.com, which means that there is a rapidly growing appetite for traditional magic out there.

I also enjoyed publishing several of Austin Osman Spare’s books that had been out of print for such a long time, because they were so beautiful, because they followed on from my sigil work in Search for Abraxas, and because they have provided a base for explorations into Chaos magic.

Q: You edited and produced The Magical Diaries of Aleister Crowley, Tunis 1923. How important do you feel Aleister Crowley’s work is to modern magic?

SS: There is no doubt that AC’s work has been seminal in re-introducing respect for magic into the 20th century and in trying to broaden the basic GD teachings by introducing more Eastern systems like yoga. I do however think that a lot of Crowley’s work was self-indulgent (not in the drug sense, but in the magical sense), and that his efforts to interpret his own life as a work of art, and every little event as a sign from the Masters, made his magic too inward looking.

In fact this caused him to propagate the fallacy that spirits were simply a part of the operator’s own subconscious mind. This is only true in the sense that strange beasts (e.g. camels) seen in the zoo are part of your own personal store of images. Their independent existence is never questioned by anyone who has ever interacted with them in their own environment!

He fuelled a lot of the sexual and drug liberation which did not come to the surface until the 1960s hippie revolution, but which has helped to shape out world immensely. I added my own impetus to this by writing and publishing two of the earliest underground newspapers in Australia.

Q: You are known to be a leading authority on Enochian Magic, the system of magic ascribed to Dr. Dee, which books would you recommend to people who have an interest and want to find out more?

SS: That is a difficult one, as a lot of Dee’s real magical work is just now coming to the surface. Most of the books to date have relied upon the Golden Dawn recension of the system. I guess Robert Turner’s Elizabethan Magic is a good place to start with the real stuff. Certainly don’t try to read books like Dee’s Monas Hieroglyphica, which was very difficult even for Dee’s contemporaries to understand.

Q: Over the years there have been many rumours of an unpublished work by you on Enochian magic, written in the 1970’s. Is this rumour true and is it likely that you will ever publish it?

SS: I did complete a book on Dee that encompassed his whole working system, with practice guide and results, plus a full life chronology. It would have run to about 700 printed pages. Also included were a lot of intriguing things I found out about his life in the old Rozmberg archives at Trebona in Czechoslovakia and also in Prague.

I was living at Saxonbury in Sussex at the time, and unfortunately the old house was burgled, and the burglar took the manuscript and research materials along with all the usual household stuff. The police were totally pessimistic about the chances of getting my stuff back, so I took ‘other measures’ which within seven days motivated the burglar to want to urgently return my stuff. Unfortunately he had binned what he thought was rubbish (the manuscript of the book) and sold some of my samurai swords: the rest I got back and the police subsequently took him into custody. Since then I have not had the stomach, or the time, to write the book over again.

Q: Stephen, you have just published a new book on the subject of Enochian magic. What inspired the book?

SS: David. Basically I was showing David Rankine some of my old Dee research material, and remarked that several MSS containing the crucial 17th century development of the Enochian system had never been published. His eyes lit up, and as they say the rest is history.

Q: These days you live near Singapore, do you have plans to come back to the UK to lecture or give workshops on Western Magic?

SS: That probably depends upon what I am currently working on.

Q: Any exciting projects you are working on that you can tell our visitors about?

SS: Yes, I think it is time that we let a few cats out of the bag. Apart from Enochian magic, there is the whole tradition of ritual magic that was strong in the 17th and 18th century, when invocation of various spiritual creatures from angels to Olympic spirits to demons to fairies was the order of the day. The emphasis was upon results, very palpable results. This is something that somehow got partly lost from magic after it was institutionalised first by the Masons (Golden Dawn) then by the Thelemites (Aleister Crowley) and then by modern witchcraft. I am working on the practical parts of magic as it would have been recognized by Agrippa, by Dee, by Barrett, and indeed by Harry Potter.

Excellent work is being done on the Golden Dawn tradition by writers such as Darcy Kuntz, and on Aleister Crowley, and so I am content to move back in time. My other project is the reconstruction of truly mediaeval techniques of Western magic, pre-1300.

Thank you to Stephen Skinner for taking the time to talk to us, its been a real honour to be allowed to dig for answers to some of the questions I have had for quite some time! For permission to reproduce this article please contact us first – (c) Stephen Skinner & Avalonia

For those of you wanting to find out more about Stephen Skinner and his work, on both Western and Eastern Magic should visit his website http://www.sskinner.com

A list of some of his books which are available from Amazon.co.uk is listed at the top of this page.. The Practical Angel Magic of Dr. John Dee’s Enochian Tables can also be ordered directly from the publisher website – click here for Golden Hoard Press

Avalonia interviewed Stephen Skinner, author of many, many books on the Western Traditions of Magic who is also known as an authority on the art of Feng Shui. One of the most significant living authors on the subject of the occult over the last few decades,

Stephen co-wrote Techniques of High Magic with Francis King, produced the definitive book on Western Geomancy and made available many rare magickal books through his work with Askin Press in the 1970’s. The following are just some of Stephen’s books:

Wicca Magickal Beginnings by Sorita d'Este and David Rankine

Wicca Magickal Beginnings is a Study of the Possible Origins of the Rituals and Practices found in this modern tradition of pagan Witchcraft and Magick by Sorita d’Este and David Rankine. The book is described as:

The origins of the Wiccan Tradition have long been a subject of debate amongst practitioners and scholars alike. Did Gerald Gardner invent the tradition? Is Wicca a survival of a British folk magick system? Could it be a continuation of a European tradition of Pagan Witchcraft? Might it be that it evolved from Victorian ceremonial magick, or perhaps it is the modern manifestation of the medieval Grimoire Tradition?

In this book the authors explore the possible beginnings of the tradition by examining the practices in the context of magickal and spiritual thought spanning thousands of years.Through setting aside the endless debates about initiatory lineages, they look beyond the personalities of the people and instead focus on what they consider to be at the heart of the tradition – the practices. Evidence from many previously uncredited and unconsidered sources is examined. This clearly shows how all the significant component parts of Wiccan ritual and practice have roots reaching back, in some instances thousands of years, before its public emergence at the hands of Gerald Gardner in 1950’s England. They explore the sometimes surprising antecedents for key practices such as initiation, magick circles, ritual tools, the invocation of the Guardians of the Watchtowers, Drawing Down the Moon and The Great Rite. The precedents for the Book of Shadows, Wiccan Rede and Charge of the Goddess are also considered as part of this groundbreaking work.

Wicca Magickal Beginnings may well answer as many questions as it creates about the true origins and nature of what is probably the most influential of the Western Esoteric Traditions today. Through combining scholarly research with practical knowledge, the authors clearly illustrate that the future of the tradition lies in utilising the rich diversity of its past, through the appreciation of its magickal origins and the untapped potential inherent in it.

This book will be invaluable to anyone with an interest in the history, practices and beliefs of the Wiccan Tradition – and its links to Paganism, Witchcraft, the British Folk Traditions and Ceremonial Magick.

It will be available from www.avaloniabooks.co.uk from May 2008.

Nina Lazarus interviews Sorita d’Este.

May 2005, Cafe Rouge, Chiswick

Sorita is a Wiccan High Priestess and Ceremonial Magician who lives and works in West London. I have known her for a few years now – in both a professional and magical context and thought it would be interesting to interview her.

Q: You are a Londoner, but this has not always been so.  Can you tell us a little more about your background?

Sorita:  I was born in Cape Town, South Africa, my family is a complicated mixture of Italian, English and South African – with a mix of other flavours.  I lived in Cape Town until I finished my studies, and then came to London with a friend in 1995, with the intention of staying for a few months.  But I fell in love with London and the cultural diversity it represents, and decided to stay.  Having been here for 10 years now, London is home.  This is where I work, play and conjure.

Q: What is it about London you love most?

Sorita: Difficult question!  The British Museum?  Ronnie Scots?  Atlantis Bookshop?  Tower Records?  Soho? Richmond Park?  Ultimately, I think I just love London – the whole thing.

Q: How did you get involved with Paganism?

Sorita: I am not so keen on labeling myself as Pagan. Recently I am also starting to feel that the word Witch is not quite right for what I do and believe, though I continue using it in some situations.

I became interested in mysticism, religion and magic through experiences I had as a child, ranging from out-of-body experiences to prophetic dreams, ‘seeing’ things other did not and an inherent belief, even as a child, that Nature was alive and sentient. In my late teens I became involved with a group of people who introduced me to the Craft.  I spent a few years learning with them, but it was always in complete secrecy – as I was still living in South Africa, which even now is very conservative in regards to religious choices, so this was very important to all of us.

Living in London allowed me to experience many other possibilities.  In the first few years I lived here, I spent time exploring Buddhism, bumping into Hinduism, Transcendental Meditation (TM) and Astrology – as well as other esoteric traditions.  When I met David Rankine in 2000 we soon realised we had an interesting intellectual connection and that we were passionate about wanting to share our love of magic with others. This resulted in the foundation of what is now the StarStone Network.  We established our own aims and goals, rather than following slavishly in the footsteps of the traditions we came from, as we felt we wanted something relevant to the 21st century.

Q: Can you say more about the Traditions you came from?

Sorita:  David is a bit older than me, and spent many years in Wales where he was involved with a Craft Coven.  They were Alexandrian lineaged, but part of the Progressive Witchcraft movement.  Back then he was married to Karin Rainbird and their Coven drew on a wide variety of flavours, much of which is expressed in their 1997 book Magick Without Peers.  Likewise, David and I follow in the Progressive movement, we are both Alexandrian initiates, but both of us have also had training and extensive experience in other traditions.  Naturally, we draw from our varied experience.  David is passionate about Celtic mythology (esp. Welsh), the Qabalah, the work of the Golden Dawn, Fellowship of Isis and much more.  He is also currently working with Stephen Skinner (the author of Techniques of High Magic, with Francis King) on a series of books in which they are making available, for the first time, works previous unavailable in print.  Their work spans John Dee and Enochian Magic, The Goetia, Key of Solomon and many other works within the Grimoire tradition.  Naturally his work and research in these fields inspires some of the work we are doing too. My passions are Greco-Egyptian magic (the PGM), traditional ‘folk’ magic, Wicca and learning more about different gods and goddesses.  David and I are currently putting our notes on The Morrigan together for publication later this year.

Within our network we are not the only teachers, we actively encourage other members to take the lead and share their skills and knowledge with other members. In some ways we are both traditional, and progressive.

Q:  What do you mean by Alexandrian lineaged?

Sorita: Exactly what it says!  David and I both received initiations into Alexandrian Wicca, and we pass that on to our own Craft initiates, together with appropriate training and materials.  However, we do not slavishly follow the rituals set out by Alex Sanders – most of which are based heavily on that presented by Gerald Gardner to his initiates, and some of which are drawn from other sources, including Franz Bardon.  Instead, we use what we have available to us now – materials, resources and knowledge, to follow in the spirit of the tradition.  The Craft is not limited to the teachings of one person or group.

Q: We all enjoy your WWL Picnics in the Park very much.  What is the inspiration behind this?

Sorita: As you know, I have been running the WWL Moots for a few years now.  We mostly meet in a pub in Bloomsbury throughout the year, but the idea of summer picnics came out of discussions with members who are parents and don’t want to hang out in a pub with their children.  None of the Pagan events in London is really child friendly, so even though I am not a mum and have no intention of going down that route, I thought a picnic would be a great way of allowing children to join us.  Not just that, but London has amazing parks, and I thought it would good to encourage more outside time!

Q: You and David are very active.  Lapis Companions, the Open Circle you facilitate is another wonderful resource.  How did that come about?

Sorita: Lapis Companions again was created from discussions with members of WWL who wanted to participate in ceremonies and learn more.  The pub moots are great for meeting people, but not for learning and experiencing ritual.  David and I decided to create an experimental format, and we are blessed to be supported by so many of our initiates and friends in this endeavor.  With input from regular attendees we select different themes for each month, and explore that in a basic ritual structure.  Recent rituals include: Imbolc ritual to Brighid, celebration of Hekate, the Morrigan, Bast, and a Thelemic themed Beltane which David created with a friend.

Q: What is the best advice you can give someone who is just starting out?

Sorita: Learn as much as you can, about as many different paths as you can.  Then commit to a path you feel most drawn to, with people you feel most comfortable with.  This will take time.  Don’t commit to anything you feel uncomfortable with, no matter how prestigious you believe the group or teachers are.  And – learn to meditate and incorporate some meditation into your daily life!

Sorita d'Este

Sorita d’Este Photo by J.S. (c)2003